The Gentle Art of Making Enemies #4 and #7 – Rembrandt







Self-Portrait with Lace Collar c. 1629 Oil on canvas, 38 x 29 cm Mauritshuis, The Hague


Self-Portrait with Lace Collar
c. 1629
Oil on canvas,
38 x 29 cm
Mauritshuis, The Hague








    [4] “Now it is evident that in Rembrandt’s system, while the contrasts are not more right than with Veronese, the colours are all wrong from beginning to end.”


    John Ruskin
    Art Authority.






    [7] “Vulgarity, dulness, or impiety will indeed always express themselves through art, in brown and gray, as in Rembrandt.”


    Prof. John Ruskin
    Modern Painters.







An Old Woman: The Artist's Mother c. 1629 Oil on panel, 61,3 x 47,3 cm Royal Collection, Windsor


An Old Woman: The Artist's Mother
c. 1629
Oil on panel,
61,3 x 47,3 cm
Royal Collection, Windsor


























Danaƫ 1636-47 Oil on canvas, 165 x 203 cm The Hermitage, St. Petersburg


Danaƫ
1636-47
Oil on canvas,
165 x 203 cm
The Hermitage, St. Petersburg





































adultere-detail













adultere


Christ and the Woman Taken in Adultery
1644
Oil on wood,
83,8 x 65,4 cm
National Gallery, London



















Peter Denouncing Christ 1660 Oil on canvas, 154 x 169 cm Rijksmuseum, Amsterdam


Peter Denouncing Christ
1660
Oil on canvas,
154 x 169 cm
Rijksmuseum, Amsterdam





















Self-Portrait 1669 Oil on canvas, 86 x 70.5 cm National Gallery, London


Self-Portrait
1669
Oil on canvas,
86 x 70.5 cm
National Gallery, London














































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One Response to The Gentle Art of Making Enemies #4 and #7 – Rembrandt

  1. [...] himself to it by exhibiting publicly such productions. If a man thought a picture was a daub [4] he had a right to say so, without subjecting himself to a risk of an [...]